![Community Arts for God's Purposes [French] Les arts communautaires au service du royaume de Dieu - MissionBooks.org](http://missionbooks.org/cdn/shop/files/william-carey-publishing-book-epub-ebook-community-arts-for-god-s-purposes-french-les-arts-communautaires-au-service-du-royaume-de-dieu-41967998009603.jpg?v=1707927267)
Community Arts for God's Purposes [French] Les arts communautaires au service du royaume de Dieu
Brian has worked as a linguist, Bible translator, ethnomusicologist and community arts consultant in the Democratic Republic of Congo and Cameroon, and holds a PhD in Ethnomusicology (University of California, Los Angeles), an MA in Intercultural Studies (Wheaton College), and a BS in Cognitive Science (Brown University). Brian was vice president of Training and Education on the board of the International Council of Ethnodoxologists (ICE) from 2006-2019, and has been an active member of the Society for Ethnomusicology (SEM) and the International Council of Traditional Music (ICTM) for many years. He writes and presents on such topics as ethnoarts endangerment and revitalization, music criticism, applied ethnomusicology, Central African music, intersections of faith and scholarship, communication theory, and research as love. Brian has performed and recorded albums with Malian artist Cheick Tidiane Seck, Malawian musician Donald Kachamba, and Christian world music band Izibongo. Brian’s life purpose is to enact truth through music, words, and human organization in ways that open profound conversations with God, and to help others do the same. He encourages more people to create more things for more purposes in their communities, and tries to model this in his own life. He thus composes and performs songs for his family, weddings, funerals, anniversaries, and romantic and bluesy occasions.
Brian is active in the Huntington’s Disease Society of America, drawing on the arts’ power to spark hope and healing by connecting artists and sufferers of this illness. Brian also integrates off-kilter wit into many of his activities. He loves his wife, Barb, and children Mindy, Austin, and Lydia.
Visit Global Ethnodoxology Network HERE!
Julisa Rowe has degrees in drama (BA), intercultural ministries (MA), and ethnodramatology (DMiss). She is an international consultant, trainer, performer, and director, serving as the Kenya director for ACT International, a missions organization for artists. Julisa has performed, sung, and directed professionally and for community and church events worldwide for over thirty years. She has written several peer-reviewed articles on ethnodramatology and a book on dramatic reading. Julisa currently lives and works in Kenya.
Les arts communautaires au service du Royaume de Dieu met en avant la méthode du CALE, sept étapes qui inspirent la création artistique et suscitent la collaboration avec les artistes locaux : musiciens, danseurs, conteurs, acteurs et plasticiens. Dans ce manuel les arts sont considérés comme des systèmes de communication spéciaux, en relation avec des époques des lieux et des contextes sociaux spécifiques. Lorsque les communautés locales utilisent les dons créatifs issus de leur culture particulière pour adorer Dieu et étendre son royaume, un bel exemple du complexe talent artistique du Seigneur se révèle. Ce livre aide les communautés à s’appuyer sur les exemples et les connaissances de plus de deux mille ans de l’histoire de l’Église pour comprendre et améliorer le présent. Il encourage les peuples et les individus en dressant un portrait vivant d’un meilleur futur : le royaume de Dieu. Les différents intervenants apportent également leurs compétences dans diverses disciplines universitaires, telles que l’ethnomusicologie, l’étude des arts du spectacle, l’anthropologie, les études bibliques et la missiologie. Expérimentez avec ce manuel. Adaptez-le à votre milieu.
Qu’il vous aide à créer sur terre d’incroyables expressions de talents artistiques que vous reconnaîtrez au ciel.
Préface
Préparez-vous
CRÉER DES ARTS LOCAUX ENSEMBLE
Étape1 : Découvrir une communauté et ses genres artistiques
Étape2 : Définir les objectifs pour le royaume de Dieu
Étape3 : Faire correspondre les genres et les objectifs
Étape4 : Analyser les genres et les événements
Étape5 : Déclencher la créativité
Étape6 : Améliorer les résultats
Étape7 : Célébrer et intégrer pour assurer la continuité
PRINCIPAUX ÉLÉMENTS AUXQUELS SE RÉFÉRER
Profil artistique communautaire (PAC)
Résumé de la rubrique « prise de décision » .
Créer des arts locaux ensemble (CALE) : Résumé
FIGURES
Figure 1. Une mise en contexte attentive
Figure 2. Activités simples d’engagement artistique
Figure 3. Créer des arts locaux ensemble
Figure 4. Créer des arts locaux ensemble : résumé
Figure 5. Étudier la communauté : quelques questions à poser
Figure 6. Comment reconnaître les actes de communication artistique
Figure 7. Exemple mono (RD Congo), tableau de comparaison des genres
Figure 8. Aperçu simplifié de “Faire correspondre les genres et les objectifs »
Figure 9. Conseils simples pour l’enregistrement audio et vidéo
Figure 10. Caractéristiques d’un événement adapté à l’étude
Figure 11. Les catégories de composants d’oeuvres
Figure 12. Ce qu’il faut mettre sur papier pour la préparation d’une activité
de déclenchement
Figure 13. Approche pour une évaluation efficace
Authors
-
Brian Schrag
Brian SchragBrian Schrag is a Senior Arts Consultant with SIL International. He was SIL's ethnomusicology and arts coordinator from 2006-2019, and founded the Center for Excellence in World Arts at Dallas International University, where he serves as adjunct professor.
Brian has worked as a linguist, Bible translator, ethnomusicologist and community arts consultant in the Democratic Republic of Congo and Cameroon, and holds a PhD in Ethnomusicology (University of California, Los Angeles), an MA in Intercultural Studies (Wheaton College), and a BS in Cognitive Science (Brown University). Brian was vice president of Training and Education on the board of the International Council of Ethnodoxologists (ICE) from 2006-2019, and has been an active member of the Society for Ethnomusicology (SEM) and the International Council of Traditional Music (ICTM) for many years. He writes and presents on such topics as ethnoarts endangerment and revitalization, music criticism, applied ethnomusicology, Central African music, intersections of faith and scholarship, communication theory, and research as love. Brian has performed and recorded albums with Malian artist Cheick Tidiane Seck, Malawian musician Donald Kachamba, and Christian world music band Izibongo. Brian’s life purpose is to enact truth through music, words, and human organization in ways that open profound conversations with God, and to help others do the same. He encourages more people to create more things for more purposes in their communities, and tries to model this in his own life. He thus composes and performs songs for his family, weddings, funerals, anniversaries, and romantic and bluesy occasions.
Brian is active in the Huntington’s Disease Society of America, drawing on the arts’ power to spark hope and healing by connecting artists and sufferers of this illness. Brian also integrates off-kilter wit into many of his activities. He loves his wife, Barb, and children Mindy, Austin, and Lydia.Visit Global Ethnodoxology Network HERE!
-
Julisa Rowe
Julisa Rowe
Julisa Rowe has degrees in drama (BA), intercultural ministries (MA), and ethnodramatology (DMiss). She is an international consultant, trainer, performer, and director, serving as the Kenya director for ACT International, a missions organization for artists. Julisa has performed, sung, and directed professionally and for community and church events worldwide for over thirty years. She has written several peer-reviewed articles on ethnodramatology and a book on dramatic reading. Julisa currently lives and works in Kenya.
- Pages: 102
- Publisher:
William Carey Publishing
William Carey Publishing
- Binding: paperback
- Publish Year: 2022
- Vendor: William Carey Publishing
